Godzilla vs. Kong review: total beast, hardly a burden

Fans of the classic Godzilla films have been feeling somewhat mixed about Legendary’s newer films in the franchise. While the 2014 Godzilla did an effective job bringing him back into the current monster fold, he was barely on-screen for the film. And for that matter, while Godzilla: King of the Monsters had epic monster battles, it also had a bit too much of the human element – which audiences didn’t really care about.

Now we get Godzilla vs. Kong, the latest in the series, helmed by horror director Adam Wingard. And while it does have some predictable moments here and there – once again with, yes, the humans – it’s probably my favorite Godzilla film in the series to date. Of course, having Kong definitely helps; and the monster fights these two put on are nothing short of spectacular.

When we’re first introduced to Kong, he’s in a large containment facility in Skull Island, being watched over by scientist Ilene Andrews (Rebecca Hall) and a young charge that he’s able to communicate with. It appears that he’s being kept in there for his own good, with Godzilla on some kind of legendary hunt for him.

Meanwhile, a scientist named Nathan Lind (Alexander Skarsgard) is called upon to recruit Kong to find some kind of lost world, hidden beneath the Earth’s crust. But the corporation he’s hired by, Apex, has some sort of dangerous plan; and that’s something returning character Madison Russell (Millie Bobby Brown) wants to learn more about, alongside a friend and a podcaster named Bernie Hayes (Brian Tyree Henry).

There is a bit of human composition here, just like the last films. But Wingard is smart enough to keep it to kind of a minimum here, even with a couple of awkward moments here and there. And it’s got enough flow to keep the film going into its most entertaining parts – the battles between Godzilla and Kong.

The first one, taking place on the high seas, is outstanding, involving exploding jets, battleships serving as platforms and more chaos than you can shake a stick at. It also sets the stage for a huge battle in Hong Kong later on, taking on Pacific Rim for the best neon-lit fight of all time.

And it all culminates with a winner and a loser, of course – and a surprising union when Apex unleashes a monster of its own. And judging by the trailers, you can probably take a good guess who it is. (We won’t spoil here.)

Written by Eric Pearson and Max Borenstein, the script for Godzilla vs. Kong moves along swiftly. Again, some jokes fall a little flat, and Henry’s podcaster does go a little nuts at times; but overall it keeps just the right flow for a monster movie. Not to mention that there’s some good explanation as to how this ties in with King of the Monsters, even if Kong was an absentee that time around. (At least we have Kong: Skull Island, which is still the best of the monster movies to date.)

Wingard directs with a swift hand, backed by a wondrous effects team that delivers the goods at every corner. The monster fights are epic, especially on the big screen (though you can watch this on HBO Max as well), and the special effects and shots are spectacular. You won’t get bored in the least here, especially with the final fight, where Kong lets loose with a glowing axe like he’s the next Conan.

When Godzilla vs. Kong strays into the human territory, it’s a bit easy for it to lose its way. Fortunately, that doesn’t last very long – even the ending is a bit abrupt – and the general focus on the monsters themselves is never lost. That makes for an entertaining fantasy that’s easily the best current-gen Godzilla movie to date. Here’s hoping we get a round two down the road.

RATING: 8.5/10

Zack Snyder’s Justice League review: go home, Whedon, we got this

When Justice League released theatrically in 2017, it was pretty much a disaster. Not that I hated it personally, but it kind of alienated the vision that the original director Zack Snyder had for it in favor of Avengers helmer Joss Whedon. It pissed off fans with its quippy tone and lackluster action scenes, not to mention the whole thing with Superman’s “lipgate.” (Don’t ask, really.)

Then began a surprising movement for the “Snyder cut” of Justice League. It had an amazing momentum and a tremendous amount of pull, despite some people saying it would never happen. What’s even more shocking is Hollywood listened, providing $70+ million to give the director the chance to make the movie he wanted.

And what a movie it is. Zack Snyder’s Justice League is a whopping four hours in length. And what’s more, it’s 4:3 format, akin to the IMAX screen instead of the standard widescreen, which pissed off a few folks. But what’s important here is Snyder got done what he really wanted to get done, without studio interference and, more importantly, involvement from Whedon. And, boy, what a difference his story makes.

Though it is lengthy and a bit heavy on the slow-motion (a Snyder staple, if you recall 300), Zack Snyder’s Justice League is remarkable. It lends a bunch of detail to characters that were sorely needing it before, and also answers prior questions from the universe. It also provides a great deal of kick-ass (and bloody!) action, as well as better detail on the visual effects and, most importantly, hardly any “lipgate” to speak of. Fans are sure to love it.

The story’s about the same – Steppenwolf wants to unite three powerful universal boxes to please his boss Darkseid, while Bruce Wayne (Ben Affleck) and company try to stop him. However, there’s so much more going on here. Much more comes to light about Cyborg (Ray Fisher) including how his character came to be, and his father’s dark role in the process – which is a lot deeper than you may realize. We also learn a lot more about Steppenwolf himself, and what makes him far more sinister than the theatrical cut could ever deliver. There, he was a smug jerk that didn’t have much reasoning. Here, he’s deeper, and far more threatening.

And then there’s Darkseid himself, a menacing force that could easily go toe-to-toe with Thanos in a bar brawl. He’s foreboding and powerful, and lends incredible weight to the story. Alas, it’s not likely we’ll see his story come to fruition anytime soon, but you never know. After all, Warner Bros. did greenlight this little nugget; and depending on feedback, they could likely continue.

The tone for this Justice League is a lot darker. There are “f” bombs here and there, some bloodshed (Wonder Woman dispatching terrorists this time around is remarkable) and a nice finale that actually gives Superman and Steppenwolf far better treatment. There’s also some surprising returns of characters we’ve seen in the past, most particularly the Joker, played by Jared Leto. He doesn’t take the crown away from Heath Ledger, mind you, but it’s great to see him in a much better form than his glittery, somewhat Suicide Squad appearance. Also, I can’t get over how rad it is to see Joe Manganiello back as Deathstroke, even if it’s not for very long.

Chris Terrio gets to handle scriptwriting solo this time around (nope, no Whedon, and that means no “oh, snap” references), and does a great job. Again, it’s a bit overpadded in places, but the characterization is something else. Fisher does even better here as Cyborg, because, well, we actually get to see what makes him tick, and why he is what he is. His growth is awesome.

Not to mention the others. Gal Gadot is still excellent as Wonder Woman; Henry Cavill rocks it as Superman (especially as he comes face-to-face with Steppenwolf for the first time); Ezra Miller strikes a great tone as Barry Allen/Flash, even if his love for K-pop faded in this cut (at least there’s still Rick and Morty); Jason Momoa gets to shine as Aquaman in various ways; and Affleck, yes, is still a good Batman. A bit on the growly side at times, but who cares? Also, kudos to Jeremy Irons getting more screen time as Alfred. Yes.

Some may complain about the VFX being somewhat incomplete, but I barely noticed. Sure, during the finale, some of the characters might be a slight bit iffy, but I was still impressed by what got done with COVID-19 restrictions and all. Even in the IMAX format, the film looks very good.

And the new Junkie XL soundtrack is excellent. It replaces Danny Elfman’s score, which wasn’t really that flawed to begin with. But it definitely hammers home the more serious tone, and how.

So, the bottom line is this. Yes, it’s long. No, not everything will make sense, as I’m still trying to figure out how that hero at the end showed up. And sure, the slo-mo could’ve been sped up in parts. Nevertheless this take on Justice League from Zack Snyder is worlds better than the original – and keep in mind, again, I somewhat liked it. Here, we’ve got better storytelling, more enjoyable fights to watch, some decent FX, and solid performances. Not to mention a few surprises here and there.

Now then, about that Suicide Squad director’s cut…

(Zack Snyder’s Justice League is on HBOMax now. There’s rumor of a home release, but nothing confirmed just yet.)

RATING: 8.5/10

What the Dub?! lets you unleash your MST3K dubbing skills this April

Who doesn’t like bad movies?! There’s something about sitting around and mercilessly letting a bad movie have it, just to soak in all its cheesiness. Ask anyone that’s seen an episode of Mystery Science Theater 3000 or Rifftrax just how great this can be.

And now you’ll have a chance to do it in game with What the Dub?! A new game from Wide Right Interactive – the same studio that brought us Freedom Finger, it’s a party game where you get to make up the best dub lines, and then watch as people vote which ones are the funniest!

Up to 12 people can take part in the action, viewing over 300 public domain clips (sorry, no Star Wars here) and then overdubbing missing dialogue within them. From there, the players, along with six audience members, will be able to vote on their favorite dubs! Then it’s winner take all for bad movie night. You will need to provide your own popcorn, tho.

The action can be seen in the trailer below, and, yes, the dubbing is as bad as it gets. But hey, if you ever wanted to unleash your inner Joel or Mike, this is the game for you!

What the Dub?! drops on April 8th for Xbox One/Xbox Series X, PlayStation 4/5, Nintendo Switch and Steam/PC.

Turbo Kid returns – as a video game!

It’s funny how some things come full circle – like the legacy of Turbo Kid.

Initially released in 2015, the film has become a cult classic in a short amount of time. It focuses on a scavenger who finds himself going against hostile forces, with only a BMX bike and a mysterious girl named Apple to help him.

The film’s got a notable cast, including good ol’ Michael Ironside, hamming it up as Zeus. But what’s even more impressive is that it’s making a comeback – and not in the way that you might expect.

A Canadian development team by the name of Outerminds has announced that it’s working on a video game adaptation of Turbo Kid, set to release sometime in 2022. As you can see from the teaser trailer below, it offers up a great deal of BMX riding and action-packed combat, as well as a structure straight out of Metroidvania. Oh, and of course there’s bloodshed, because, hey, it’s Turbo Kid, right?

That said, it is going to be a little while before the legacy kicks back into high gear, as the game isn’t set for release until sometime in 2022. Platforms also haven’t been revealed just yet, but we should know more soon enough.

So keep on the lookout. Oh, and if you haven’t seen Turbo Kid just yet, you should fix that. It’s available now on-demand, as well as on Blu-Ray. Check out the movie trailer below.

Willy’s Wonderland Review: Five nights at Cage’s

When we first heard about the announcement of Willy’s Wonderland, we already knew what it was going to be. “What would Five Nights At Freddy’s be like if they were going up against a batshit crazy Nicolas Cage?” And, well, now that the movie’s actually here, we can confirm that’s pretty much what you get. But that’s not the worst thing.

Directed by Kevin Lewis, this low-budget horror/comedy has more going for it than you might expect. But the thing that helps here is that you set said expectations low. If you’re wondering if Willy’s Wonderland is on the same level as the insanely nuts Mandy, well, it’s not. Not even close. But if you accept the premise and came to see Cage go nuts on a horde of animatronic terrors, then you’ve come to the right place.

Cage portrays “The Janitor,” a guy who waltzes into town looking all bad ass. He runs into the town of Hayesville just as his black Chevy runs into car trouble. It turns out to be rather costly, and he doesn’t have an overwhelming bank account to take care of the damage.

It’s here that the owner of a local establishment called Willy’s Wonderland strikes a deal with the Janitor. If he can clean up the place, he’ll have his car fixed and ready to roll in the morning. If that sounds too good to be true, that’s because, well, it is.

We soon learn that Willy’s Wonderland was a children’s party establishment with animatronic creatures to entertain them, a la Chuck E. Cheese in a way. But there are some dark secrets that forced its closure, and the Janitor is about to meet them head-on. And he’s not alone, as some typical teen characters pop in, just to give Willy and his buddies some targets in which to pile up the body count.

The owner doesn’t quite fill in all the details to Cage’s character about his true purpose, but he finds out soon enough – and that’s when the carnage kicks in. See, The Janitor is a good clean-up man, but in more ways than you might expect. A sequence where he makes short work of an ostrich that threatens to eat his face gives you an idea of what you’re in for.

Plot-wise, Willy’s Wonderland isn’t the strongest. The teenagers are typically written and literally asking for death at one point; and there are some holes in the tale when it comes to why the place ended up the way it did. And there are some gaps of logic, especially closer to the end.

But there’s also a whole lot of merit here. The carnage, as we mentioned, is a thing of beauty, as Cage and company get covered in all sorts of oil and other fluids trying to take apart these interesting terrors. And the animatronic creatures themselves are a hoot, from the trash-talking ostrich to a knight with a Muppet-like face to Willy himself, who could honestly give Freddy a run for his money.

There’s also an interesting kinship between Cage and Liv (Emily Tosta), a teenager that really gets to see how he works. It’s fun to see them both work together to survive the night – if they can – while the others, well, lack heavily in character.

Willy’s Wonderland isn’t the smoothest filmmaking experience, between its jagged story and occasional pulpy filmmaking style. But it’s good fun – and a majority of that lies with Cage. He’s eating this role up like it’s a New York pizza covered in pepperoni and sausage, even jiving out with something as simple as a break with a pinball machine or guzzling down a drink. And, yeah, it’s cool to see him take down most of the animatronic threats like a crazy bad-ass would.

Again, it really comes down to expectations. If you walk into this expecting the legendary work of Nicolas Cage, well, this isn’t it. But if you’re looking for a fun horror fest where he goes nuts a majority of the time – even without muttering much in terms of dialogue – then you’ll have a field day in this Wonderland.

RATING: 7.5 (out of 10)

Not the greatest of Cage’s work, but Willy’s Wonderland is a sight to behold for fans of schlocky horror comedy.

Success or Failure: What To Expect From The New Breaking Bad Movie

Breaking Bad

What’s in store for the latest from the Breaking Bad franchise?

Since the Breaking Bad franchise ended in 2013, there have been a number of dedicated fans re-watching the series time and time again watching their favorite episodes. But with the recent release of the Breaking Bad film El Camino, fans are ready to see the Aaron Paul reprise his role as Jesse with a brand-new storyline. In this article, we will be looking into whether this film was a success or a failure.

Breaking Bad: Beyond The Series

When the series ended, there was a large group of people left with a huge hole in their lives from a TV show that had been so impactful to so many and captivated audiences between the years of 2008 and 2013. But since the franchise ended, there have been a number of fan theories as well as new slots released every week, some of which were themed to tailor to fans of this iconic franchise.

The Story Arc Of Jesse Pinkman

El Camino is the name of the highly anticipated Breaking Bad film but despite the drama-filled finality to the series, this is not the thriller that many expected it to be. With the film following on from this, it is a chance of Jesse Pinkman to see some closure. As Aaron Paul reprises the iconic character, we are set to see the character immediately after his release from prison. The now-deceased Walter White was behind the rescue mission but died in the process of getting Pinkman released.

Since the release of the initial trailer, there has been much speculation as to who will be reprising their role within the film as a number of the main characters are now dead. The film itself is said to cut between the 48 hours following Pinkman’s release from prison, as well as the emotional turmoil that he is dealing with on a constant basis.

The Initial Reviews

For many who are fans of the franchise, this is the perfect film, it has all the cameos you could ever
want, alongside some of the most memorable characters in the franchise, but for those that are looking at the film from a cinematic perspective, they may be disappointed. The film appears to be more like three Breaking Bad episodes put together rather than a film making it seem oddly disjointed.

With this being said, it does not take away from the complex storyline and outstanding acting that is brought to the audience by everyone involved making for an enjoyable viewing experience.

The Name El Camino

Though this could be in reference to the car seen in one of the first scenes of the film, a 1975 Chevrolet El Camino, the words El Camino in Spanish for road or way. Though this is up for interpretation by audiences, this is meant to be much more than just a story of Jesse Pinkman but rather a road to freedom from his own demons. For many, the film showed a softer side to this character that many are not used to seeing.

With his own demons to overcome and a lot to learn about life itself, the audience is taken on a journey.
With the story arch of the slowly coming to an end, we see Jesse slowly evolve into an adult. Though some challenges he faces are similar to those in the hit TV show, there are many that are more moral and some that carry a large amount of emotion.

With no cinema releases of this film scheduled in the UK, the streaming giant Netflix has seen a large
amount of success with the film since its release on October 11, 2019. Many are watching to see where their beloved character has ended up since the finale of the series aired and they will not be disappointed. This Netflix film is certainly one made by the producers for the fans and is the perfect end to a franchise that is loved by so many. Why not watch it for yourself?

Sonic the Hedgehog Blu-Ray review: a speedy recovery

When the big-screen foray of Sonic the Hedgehog was announced, most people weren’t happy. It wasn’t a matter of casting or anything like that, but rather the somewhat creepy human-esque design of Sonic himself. But rather than release it to the public and prepare for a lambasting, Paramount Pictures delayed the film and gave him a much more loyal makeover. And boy, did it pay off.

Sonic scored big box-office bucks before COVID-19 put a dash in his speedy hopes and dreams, but now he’s on home video for all to celebrate. And if you’re a fan of the fast little hedgehog, you’ll find that this film is definitely up to…speed? Okay, that may be enough puns.

A Decent Story, Backed By a Fun Jim Carrey

In the film, Sonic (voiced by Jean Ralphio himself, Ben Schwartz) comes to Earth, where he makes friends with a police officer (James Marsden) and begins a cross country journey to recover his helpful rings from San Francisco. Hot on their trail is the nefarious Dr. Robotnik (Jim Carrey), an evil scientist who wants to harness the power of Sonic’s quills for his very own.

The redesigned Sonic is ready for battle.

It’s a routine story, for the most part, and one built with family comedy in mind. But somehow, it works. That’s mainly due to the charm of the cast. Though he’s no Roger Craig Smith, Schwartz does a terrific job as Sonic, capturing his persona alongside the CG effects.

But this is Carrey’s show. He’s back to his manic self after a few oddball dramatic choices in his career, and he doesn’t disappoint. He plays Robotnik like the full-tilt diva that he is, right down to the bad jokes (“Rock-conaissance!”) and the awesome makeover he gets at the end. It sets everything in place for a potential sequel, which, honestly, I hope we get.

Would the film have worked the same way without the makeover? I’m actually scared to see if that would be the case. But the fact it ended up as it did – and still remains charming and fun – is a miracle. Paramount actually listened to the fans, and it shows in a movie that’ll breeze right by you in about 90 or so minutes. Oh, and you should stick around for the post-credits scene. You’ll love it.

A Strong Presentation, But Lacking Extras

We were sent the typical Blu-Ray/DVD set for the film along with a digital copy. So we couldn’t tell how the 4K transfer went on that disc. However, the Blu-Ray quality is nothing short of excellent. The visual effects shine on the screen; and there’s hardly a grain in sight when it comes to its exquisite transfer. This is definitely one you’ll want to keep an eye on. The audio is great too, particularly if you have a sound system that holds things up. It definitely gets up to that Sonic level.

As for extras, they’re somewhat lacking. What I wouldn’t give to hear Carrey go on for the whole movie as Robotnik, talking about how great he is in the film. Alas, there are some featurettes here, including one where he talks about his villainous character.

There’s also a fun “For the Love of Sonic” piece that talks about the speedy hero in great length. But, surprisingly enough, there’s nothing here about the process in redesigning him from his somewhat oddball original form. That would’ve been a fascinating piece of dive into.

Jim Carrey is terrific as Robotnik. Fight us.

The Deleted Scenes and Gag Reel are pretty fun, and there’s also a music video if you get into “Speed Me Up” for some reason. We didn’t.

A Rapidly Good Time

Sonic the Hedgehog may not be the best video-game-to-film adaptation out there, but it’s a surprisingly stable one, built on some good laughs, goofy moments (really, Olive Garden?!) and top-notch performances from Carrey and Schwartz, among others. If you’re looking for a good piece of summer entertainment, make sure you warp this one right into your library. It’s worth your precious rings.

RATING: 8/10

Sonic the Hedgehog finds his way home in a package filled with summertime fun.

The Wizard (1989) Shout! Factory Blu-Ray review: You’re a wizard, Freddy

Yes, we actually do review movies here on occasion at DVS Gaming, especially if they’re game-related ones. And they don’t really get more game-related than The Wizard, a 1989 film that serves as a big ol’ Nintendo advertisement while, at the same time, telling a fun story revolving around siblings.

How the (Nintendo) Story Begins

Poor Jimmy. A young kid that dreams about going to California, but finds himself in a mixed mental state following the passing of his twin sister. But his half-brother, Corey (played by The Wonder Years’ Fred Savage), opts to take him on the journey, breaking him out of the hospital and vowing to get him to the big Video Armageddon tournament, where, surprise, Super Mario Bros. 3 takes center stage.

Hey, guys, remember arcades?

Along the way, Haley (Jenny Lewis) joins the crusade, a young girl with troubles of their own. The three characters run into a series of misadventures over the course of their trip, including avoiding a troublesome “bounty hunter” who wants to bring them back. There’s also Jimmy’s father (Beau Bridges) and half-brother (Christian Slater — yes, Mr. Robot’s Christian Slater), who have a journey of their own to take into NES-land.

It’s a flawed road movie, and it spends a bit of time on messages and stuff like that. But it’s also enjoyable 80’s fluff, surrounded by a lot of Nintendo mentions. This includes the Power Glove (remember that?) and even the original Teenage Mutant Ninja Turtles game. That swimming level still ticks us off…all the pizza in the world can’t save us.

Still, the actors are, ahem, game enough for the material. Savage is terrific here and has excellent chemistry with Lewis as they get to know each other better. And the comical moments are a treat, particularly with a call-out on a Universal Studios ride that’s long gone. And Bridges and Slater have their moments as well, as they attempt to connect what makes gaming special with their younglings. Sure, it’s a Nintendo advertisement for the most part, but an enjoyable one.

Proper Treatment For an Old-School Film

Shout! Factory deserves commendation for going the extra mile over the previous Blu-Ray release, which was bare-bones at best. The video quality of the film gets the best treatment, as it’s never looked better. Bright, beautiful colors and an excellent representation of classic games are the keys of the day here, and the 4K transfer really pays off on the proper screen. The sound quality is also wonderfully mixed, so if you have a great stereo system set-up, it’ll take full advantage — and there will be plenty of familiar NES sounds to go around as well.

Extras, Extras, Extras — Dig in!

Then come the extras. There’s a ton of them here that will take you back to the old school days. Director Todd Holland provides an insightful commentary that’s fun to listen to, and there are a ton of deleted scenes that add even more NES-style context to the film, even if they’re not a part of it. The extended ending is pretty cool as well.

There’s also a 40-minute documentary that looks back at the making of The Wizard, including interviews with Savage, Luke Edwards, the director and writer, and more. They provide a number of details that should be fascinating for fans of this sort of thing.

Heck, remember the NES days?!

Perhaps the real treat, however, is a video featurette where a Nintendo gameplay counselor is featured. Ever wonder what these guys worked with in the ’80s? Greg Lowder provides some good insight. The only downside is that it’s really, really short. But you’ll learn something.

For good measure, you’ll also see a clinical analysis of the film (if you want to dig deep); a post-screening Q & A from a recent Alamo Drafthouse screening; and a Let’s Play Gaming Expo from last year featuring the filmmakers talking about the movie. Throw in a theatrical trailer and a photo gallery and you’ve got a well-wrapped package. Only downside? Jenny Lewis didn’t participate. Maybe she was busy gaming…

Game On Back To the 80s

The Wizard isn’t the best gaming movie out there, but it makes for fluffy summer fun when we need it the most. And you can get this special edition for $20 or so, which is well worth the investment. The improved video and audio quality are noteworthy, and the extras are abundant. If it’s a blast from the past you need — or you just need to hear Fred Savage talk about the Power Glove again — this is a must for your collection.

RATING: 8/10

The Wizard shines on with a wonderful collector’s edition provided by Shout! Factory.

Is it Spooky? Hereditary Movie Review

Winner of 2018 Sundance Film Festival

Let’s start this out by saying, horror movies aren’t what they used to be. Less based around story, and more-so based around jump scares with plenty of gore scenes. Very rarely will you come into contact with a movie that’s under 20 years old, that holds a story in any kind of sentiment. Don’t get me wrong a horror movie is a horror movie no matter how thick the B rating may be. Just some of them are ‘HARD’ to watch.

Then we have Hereditary.

Hereditary was…. Interesting. The story was one not told a hundred times over, and was actually one of the more interesting points of the film. Witches and Warlocks, it’s always witches and warlocks when children are involved, isnt it? A quiet beginning to the film, introduces us to a passing grandmother. All her family and friends surrounding her casket as her daughter started the eulogy. Very soft undertones filled these scenes, matching necklaces amongst all the women and cuffs for the men. Hereditary progresses on, past the funeral and into the rememberance of the grandmother.

Grandma with her boob out?

The immediate family of the Grandmother who passed away, start experiencing strange things in their home. At first it’s something simple, like noticing etched writing into a wall that has been there for sometime, or a pattern that was cut into the floor hidden by the carpeting. Strange things keep appearing, when your finishing up work in the office and go to leave. Do you ever get that feeling, that if you looked over after you’ve turned the light out, that you’d see a ghost? Imagine looking over, and seeing your dead mother standing next to a box of mementos you had just gone through. Would you jump? Would you run? This woman started to break down. Hiding all truth and pain away from her family. Hiding the truth.

An uncomfortable dinner

The Golden Curse

More and more, the symbol that all the women wore as necklaces and men wore as cuffs started appearing in the scenes more prominently. Sometimes it would just be off to the side on a tree, other times it would be in your face waiting for you to finally realize that it’s here. As the movie progresses, we start to enjoy the basics of the film. We’ve got a teenage boy who fancies a pretty girl, a child who just wants to stay at home and play with her toys. As per the film, we have the brother sister team stuck together as the teenager wants to go to a party, as all moms do she made sure he was going to be miserable by making him take his little sister. During this party, Charlie our little sister, eats a cake full of nuts. As it was briefly mentioned in the beginning of the film, she is allergic to nuts.

The race against time

Panic. Panic erupts into the scene as the older brother is stricken with fear of losing his little sister to the allergic reaction she was having. Quickly they raced off to the hospital like any good brother would do. But alas, this isn’t a Disney film. THOMP. The hollow empty sound of Charlies head hitting a Hydro pole. Silence. Silence as the teenage boy lays in bed, drenched in his fear and sadness. Until, you hear the mother scream as she discovers her childs headless body in the back seat of her car. Pain. Pain drips from the next set of scenes bouncing between the mother and the guilt stricken son. Now… Now comes the Golden Curse, as the days move on the pain gets unbearable between the family. The mother reaches out in a series of seances to contact her daughter at least one last time.

King Paimon

Remember we mentioned those women and men who were wearing all the same symbols? Well… Here we are, the mother is attempting to deal with her sadness by going to counseling for the deaths of her mother and her child. These women making their mark against the mother, trying to seduce her into falling for their curse of riches. More and more the family is stressed out, and one by one they’ve all started to lose their minds. The witches confer with the mother and trick her into letting ”the darkness” into her home. They use to teach her how to start the ritual for the Curse of Paimon, little does the mother know she was setting not only herself, but what remained of her family, for death. These sweet old women, who lent out a hand to the mother during her time of need are also her demise. As the spirits tormented the family inside the house, the group of witches and warlocks prepared their ritual in the place that was closest to Charlie. Her tree-house.

Death of a Family

Step by step as the mother falls into madness, dragging her family into this downward spiral. After the seance with the old ladies, she starts conducting her own at home, which not only brings Charlie into the house but the full circle of Paimon also enters. As the mother begs out for Charlie, bringing in everything that is attached with her secret ridden family. Faster and faster this family plummets into madness, experiencing the truth of their family first hand. The boxes of grandmothers things become even more so important to the family as it would explain everything going on in their lives. The Curse of Paimon, a curse coveting the male body for the riches that could be bestowed upon it. As the family panics and fights for what is left of their lives, the curse digs deeper. More and more people showing up to the house, assembling the strangest of sights. Waiting for each of them to kill themselves, so that the Curse of Paimon can take over.

In the end, the Curse of Paimon wins. Thus starting a generation of greed and riches for the Witches and Warlocks that were left to adopt the new form of Paimon.

Mommy Dearest Vibes

My personal score for this film? B. It has a decent enough story, that hasn’t been repeated a thousand times over. Yet the speed and consistency of the film lacked in certain areas. As much as they had suspense living up to their name, closer to the end of the film it turned into jump scares. When they could have continued as a suspensful film, they changed it up. Unfortunately story is the only thing truly interesting about this film, more parts of the film had been funny or in fact hilarious compared to its ‘horror’ counterparts. If you’re bored and need a movie to watch, this one should go on your list.

DVS Gaming Movie Review Score :
B

DVS Movie Review: Sonic the Hedgehog

The Sonic the Hedgehog film manages to avoid the pitfalls of failed video game movies by sticking to the source material.

Video game adaptations of movies are a mixed bag; you generally expect it to closely follow the source material. There have been successful video game movies such as Tomb Raider and Detective Pikachu and flops such as Assassin’s Creed and Super Mario Bros. The Super Mario Bros. adaptation was so bad, Bob Hoskins (who played Mario) said that it was not only the worst job he’s ever done but also called it his biggest disappointment and something that he would edit out of his past in a 2007 interview. Knowing the track record of video game films, would Sonic the Hedgehog suffer the same fate as their Nintendo-based plumber rivals?

Most classic Sonic the Hedgehog media is memorable; could the live-action film create new memories?

I enjoyed watching Adventures of Sonic the Hedgehog as a kid; the TV show cast Jaleel White as the voice of Sonic (he would also voice Steve Urkel in the successful African-American sitcom Family Matters) and also played Sonic games fervently in my childhood. I even was Sonic for Halloween, so this was sort of a homecoming for me after Sega significantly chucked the franchise down the toilet in the new millennium. After the fall of Sega as a console developer, the company relegated him to terrible video games on the Nintendo Gamecube, Xbox, and Xbox 360, as well as token appearances on other Nintendo consoles.

Sonic the Hedgehog

Thankfully, Paramount Pictures had bought the film rights to the franchise in 2017 and a cast of James Marsden, Ben Schwartz, and 90s comedy superstar Jim Carrey had joined the cast by 2018. The film was scheduled for a November 2019 release, but fans were upset about the Sonic design. The producers listened, and they pushed the film back to a February 14, 2020 release.

Jim Carrey turns in one of his finest performances in years.

The film avoided a major pitfall by sticking to its source material. The trailer prominently featured the Green Hill Zone from the original Sonic the Hedgehog game. While Tom Wachowski (James Marden) provides straight-man relief for Sonic’s (Ben Schwartz) 500-miles-a-minute speech patterns, the real star of the movie was Dr. Ivo Robotnik (Jim Carrey). The United States government begrudgingly employs Dr. Robotnik to investigate Sonic’s appearance, which sets off the events of the film.

Sonic the Hedgehog Dr. Robotnik

His performance during the movie reminded me a lot of the Jim Carrey of old, who made audiences double over in movies such as Ace Ventura and Liar Liar, harkening back to his roots in physical and slapstick comedy and doing what he does best: playing over-the-top, exaggerated characters. I would go as far as to say that Carrey enhanced the role of Dr. Robotnik, who portrayed a cartoon villain in the Adventures of Sonic the Hedgehog series. Carrey used his experience as someone who portrayed those over-the-top and exaggerated characters and seamlessly placed it into the Dr. Robotnik character like he never missed a beat.

Although Sonic made way too many pop culture references during the film, his performance brings together the Sonic fans of old (such as myself) and younger audiences who may have never heard of him or heard about him from their parents. The film rides the wave of 90s nostalgia and revivals that have been a part of Hollywood for the past five or so years and surfs it almost perfectly from start to finish. The synchronization of the live-action and cartoon elements of the film cannot be ignored either. We hope this kicks off a long string of live-action Sonic movies, as this may be the blueprint that video game movies need to succeed.

Grade: A